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“You romp!” came the disgusted voice once more. “You’d better cut your hair, and your skirts, and be a child again.” Billy suspected his mother was waiting for him; he must hurry, he thought. Yet he couldn’t resist showing off a bit. He bent over his wheel, went by the girls with a rush and a “Hello!” made a neat turn, wheeled a figure “8” around a team or two, shouted, “Don’t frame up anything there!” as he passed a second time, and whizzed through the arch in his own high hedge with one wheel in the air. “Mrs. Newman, may I come again,” he turned confidentially to his hostess, “I am head over ears in love with your charming cousin.”.

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“They won’t be watching for visitors,” the man answered; “they’ll be hiding the plant and skinning out of here,—if they haven’t already,” he added apprehensively. He stood[217] back to the wind and scanned the opposite bank. “There they are, two of our fellows; the chaps haven’t escaped in that direction.” The first sign of return to health was indicated by a slight querulousness that invalids seem to claim as their prerogative. The convalescent wanted books and pictures, her discarded favorite, Hannah, stiff with long neglect, and her pets individually and collectively. Then having run the gamut of dumb playmates, she called for her beloved friends. “We’ll play there’s a strike in the saw-mills, Dutchy, and this is scab labor,” Billy excused amiably. And for a fact the white cotton string carried the messages quite safely from the “Front,” where Jimmy and George laid out the “line” over wonderful grades, across impossible gorges; and “wired” back for further orders. Harry Potter was the operator at the “Front,” and Vilette,—“Women do operate, you know,” she said,—Vilette was the proud holder of “the key” at Headquarters, where Clarence Hammond strutted around as Messenger; and because he was the “son of the Boss,” bullied his Cousin Harry unmercifully. “What’ll I sing Betty?”.